Categories News

“3, 2, 1… Frankie Go Boom” Trailer

Sorry for the minor delay! Just got back from my short trip to Los Angeles. Check out the official trailer of Lizzy in “3, 2, 1… Frankie Go Boom“:

Categories Image Gallery

Comic-Con 2012: Save The Date Panel pics added

I have finally added my pics of Lizzy at the Save The Date panel during Comic-Con. I was really glad I ended up getting front row seats and took so many since there weren’t any “official” pics from the panel. Since they are my pics, they are exclusive to the site. So they are tagged. I will have a post about the panel later on today at my blog in case anyone is interested.


Gallery Link:
July 14 2012: Comic-Con 2012: Save The Date Panel

Some quick notes in regards to the panel which are important to the pics:

– Alison was the first one to arrive!
– Both Lizzy and Martin arrived late. Martin was the last to arrive.
– When Lizzy arrived, Lizzy and Alison switched seats.
– Martin took a pic of his name sign. So that is why his name sign is backwards later.

The ones I took of Alison can be found at my site, Alison Brie Web. If anyone wants to donate their pics, send me an email!

Categories News

The Hollywood Reporter interview on Item 47

Check out Lizzy and Jesse Bradford’s interview with The Hollywood Reporter on Item 47:

The Hollywood Reporter: So, the acting process. No, I’m just kidding.

Lizzy Caplan: (laughs) Awesome.

THR: When you were asked to be an ancillary part of the Marvel Universe, did you sign up immediately, or did you ask, why play in this little thing when I should be starring in a big one?

Jesse Bradford: I was on board. I mean, I had to read it, but even before that, I was like, “yeah, I want to do this – that’s fascinating!” And then you read it and it’s good and it’s fun, and I knew she was doing it, and she’s great. I was like, “this is easy – no problem!”

Caplan: Yeah, I think that a very short time commitment to make something is always very attractive to me – I fear long-term commitment. And I think all of these guys have to sign like 25-million-year contracts. So maybe at the end of the day, maybe you and I are the winners.

Bradford: We win.

THR: At the premiere screening at Comic-Con the producers discussed the elaborate back story that was created for your characters. Is all of that necessary for you to have all of that if the piece you’re doing is only eight or nine minutes total?

Caplan: I think it becomes more important when it’s such a short piece, because you want to know where you’re coming from. I mean, you don’t have the luxury of an entire script where you can connect those dots on your own. So I found it helpful.

Bradford: Yeah, me too. It grounds the whole thing. I’m not an actor who requires back story, but if it’s there, or you’re inspired to do it, or if it’s there for you. And you’re right, that it’s just on a short (laughs), it’s even more important.

THR: How was Louis as a first-time director?

Caplan: He’s great, and again, his enthusiasm is infectious. And whenever we would do any of the effects shots or blow anything up, he was giggling like a little kid.

Bradford: I like about Louis the fact that he got his start as a 1st [Assistant Director], and a line producer and all of these other below-the-line jobs that are very hard and arduous on movie sets, and now he’s one of the presidents of the coolest movie studio out there. I think that’s a great progression you don’t see that often – it’s like starting in the mailroom. I think you see less of that.

THR: Even if you aren’t playing superhuman characters yourselves, do you have to make adjustments to your performance when you’re acting within a world where superheroes and laser guns exist?

Bradford: You’re forcing me to examine stuff that I haven’t even really examined.

Caplan: He is not a smart man.

Bradford: Yeah, I am not an intelligent person. No, my answer to that would be that as an actor, hopefully it’s easy for you to accept the central conceit of whatever you’re doing, whatever it happens to be. So no, you just buy in. It’s easy to buy in.

Caplan: Yeah, you don’t play the weirdness of a weird situation. It’s like in comedy, you play it not for laughs but as straitlaced as possible.

Bradford: You have to add straightification.

Caplan: You have to straightify the loops.

THR: How important is that transformational aspect for you – becoming someone totally unlike yourself?

Bradford: It depends. There’s the role where you need to get as far away from yourself as you can, and then you go, “I know why they hired me – let’s go do this. I’m not going to go put on airs – I’m just going to try to be natural – which is like I said a kind of weirder skill than people give credit for sometimes.

Caplan: Yeah, I think it’s necessary to identify with anything – with any character you play, there’s got to be something in common, so you can link up to that person, even if it’s like one tiny thing. But it’s equally fun to play somebody completely different, and trying to find what that thing is to make it.

THR: So I started with a joke about the acting process, and we ended up talking seriously about it.

Caplan: Damn it, you tricked us!

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